The Hollywood Renaissance of the 1960s and Early 1970s Essay - 1

The Hollywood Renaissance of the mid-sixties and Early 1970s - Essay ExampleThe decade of the mid-sixties and into the early 1970s marked a period of turbulence and change in the Ameri puke socio-political landscape. Among the events plentiful way to this landscape were the civil rights movements, the hippy elaboration, radicalism among students, the new left, feminism, the gay rights movements, the anti-Vietnam war movements, the Kennedy assassination, the Watergate scandal, the US withdrawal from Vietnam and the cover crisis among other events (King 2002, p. 14). The period of the 1960s and early 1970s was too the Cold War era and some Americans fe ard a nuclear attack (Neve 1995, p. 221). Arguably these events were quite dramatic and imposed on American culture in a very short period of time. I.The Hollywood RenaissanceOne of the most liaison features of the Hollywood Renaissance was Hollywoods departure from an attempt to idealize American life and culture. Instead, a major ity of the scoots produced during the era of the 1960s and 1970s appealed to Americas conscience and adapted a loving expression. The arts in general gave voice to the socio-political underpinnings of the times and attempted to contribute to change. Man (1994) observed that Hollywood cinema depicted common themes that...included the breakdown of traditional values, socio-political oppression, the psychology of sex and violence, moral ambiguity, alienation, solipsism, paranoia, and disillusionment (p. 1).During the 1960s and the early 1970s, filmmakers had greater creative freedom in that the studio system faded out and filmmakers had the power to be more critical of social issues and could be more innovative (Ryan and Kellner 1988, p. 6). The Production Code was also eliminated during this period and a rating system much like the current system was started. As a result, filmmakers were able to take on topics and issues that were not previously permitted (Ryan and Kellner 1988, p. 6). Kramer (2005) identified three common themes that characterize the films attributed to the Hollywood Renaissance of the 1960s and the early 1970s. First, the films of this period were described as a large number of gainsay films (Kramer 2005, p. 2). Secondly, a majority of the most successful films were produced by a select number of young film directors many of which had graduated from film schools such as Francis Ford Coppola who had graduated from the University of California in Los Angeles. Finally, the terrible formal and thematic innovation that marked the films of the 1960s and early 1970s ended with the production of block-bluster films such as Steven Spielbergs 1975 Jaws and George Lucas Star Wars of 1977 (Kramer 2005, p. 2). Nystrom (2009) explained that this new class of directors and producers began to perceive its audience as youthful and talented (p. 26). This was the main factor that influenced the culture depicted in film production during the 1960s and the e arly 1970s. The preponderant view was that the audience was such that it was no longer enough to simply entertain. This new audience was readable to the examination of ideas and issues. Michael Laughlin, Two-Lane Blacktop (1971) reportedly said that Our generation has gone beyond mere entertainment. We are too well educated, too intelligent to be just entertained (Nystrom 2009, p. 26). Buck Henry film writer for The Graduate made a similar observation. Henry noted that during the era of the Hollywood Renaissance Heroes can now be intellectual, which they never were in American films. Perhaps its because, until recently, the audience was so deeply anti-intellectual itself. But the younger generation identifies with the melodrama of ideas (Nystrom 2009, p. 26). Paul Williams, director of Out of it (1969) and The Revolutionary (1970) linked the Hollywood